This work was commissioned by Professor James Watson for the brass faculty of the Royal Academy of Music London. It was composed between January and May 2007. The first performance was given on 12 June 2008 by Blair Sinclair (to whom the work is dedicated) and Timothy End. It is the third in a series of six works for brass which began with sonatas for Bass Tuba and Piano (2006) and Bass Trombone and Piano (2006) and will conclude with two more sonatas (French Horn Trumpet/Flugel Horn) and a work for brass ensemble. All five sonatas will be published by Queen's Temple Publications during 2009.

Trumpet, French Horn And Bass Trombone. Langue: English(UK)/Deutsch/Français/Nederlands/ Répertoire / Brass Instruments

for Brass Ensemble-Written for the inaugural Farnham Festival in 1961 Festival Fanfare from Malcolm Arnold is scored for 5 French Horns 6 Trumpets 5 Trombones Tuba Cymbals and Timpani.

Performed by Rick Trolsen trombone Accompaniment: Tim Laughlin's New Orleans All-Stars Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a child of the Crescent City as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades and steamboat gigs andasked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans. Listen can you hear that band? Audio samples galore await you down below. Includes newly engraved solo charts printed on acid-free ivory paper; and two compact discs featuring complete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes.

from Musicali Melodia 1621-Music for Brass no.418.Edited by Glenn Smith ; continuo realization by Leslie Basset